A tight crew of trusted hands, working in the fine margins.
Conor was trained by tradesmen whose own training went back to the 1960s. He understands the fundamentals most modern plasterers skip — and it shows in the work that's still standing years later.
"We work in the fine margins."
It's the final two or three percent that separates a competent plasterer from a master one — and that's the territory the studio has spent its career trying to live in.
The Australian influence — laser-levelling, days spent setting out before a trowel goes near a wall. That mindset runs through how CMG approaches every job.
Every finish goes through a rigorous sampling process. Three identical control samples are made — one for the showroom, one for the site, one for the client — so everyone works from the same agreed truth. No ambiguity about what was approved.
Approved-applicator status with Clayworks, Four Crater and Belworks isn't given out — it's earned through consistent, certified work. That status sits behind every project we take on.
No revolving door of casuals. A tight crew of trusted hands, each developing under Conor's eye, with the same care for the work that he has.
Conversations, not confrontations. Honest pricing. Clear timelines. The kind of professionalism that designers come back to.
We admire the international names in specialist plaster and don't claim to be among them yet. But the work, the care and the trajectory all point in that direction.